Variations using a Mask in Gel Prints

the stencil

 

Using my Brother Scan-N-Cut to cut a vinyl sheet, I created a “mask” of leaves to use in printmaking. The leaves were drawn from the Chinese Fire Dance Bush in my back yard, so it’s a unique hand-crafted design.

It’s amazing what different looks you can create with just one mask. (A mask is the positive of a stencil — since this is created on a cutter, I also have the “stencil” or negative mask to use as well.)

The secret, of course, is in the layers — the colors and background stencils chosen. For the the first layer I used various colors and some stencils or marking with a comb to create a print on my gelli plate. The stencils used were purchases from various sources, including StencilGirlProducts.com. (Sometimes there is an additional layer added to refine the design.)

This first layer is what creates the design and colors seen in the leaves in the final print.

For the second or final layer, I again rolled colors onto the gelli plate. I tried to choose colors that would work as a contrast or enhancement to the first layer. Note that I didn’t use any additional stencils in this final layer (except for string as an additional mask).

I placed the mask of leaves on top of the colors and pulled a print. That layer became the background framing around the leaves — the first layer was preserved because the mask blocked the final paint layer.

Below are the variations I obtained.

 

Recent Florals and Negative Painting

I’ve been working on my negative painting skills again – in fact I recently led some Open Art sessions on doing so. So I though I’d gather the paintings together here. All these are florals or leaves or forest paintings (“Flora”).

Definition:  “Negative painting, is an intriguing, alternative approach in which the subject is established by painting around the object rather than by painting the object itself. Most painters work in the positive, typically adding one shape on top of another. If, on the other hand, you carve out your shapes, you are taking a subtractive approach: constructing in the negative. So when images such as leaves, trees, flowers or rocks appear in negative paintings they have been created by painting the spaces around and between simple, distinctive shapes (symbols) that represent these things.” — Linda Kemp

You might want to look at the last article I did on negative painting:  NEGATIVE PAINTING FLORAL TRANSFORMATION

"Leaf Tapestry" watercolor by Sharon Giles

“Leaf Tapestry” watercolor by Sharon Giles

"Forest's Embrace" watercolor by Sharon Giles

“Forest’s Embrace” watercolor by Sharon Giles

"Red Field Daisies" before gouache background added

“Red Field Daisies” before gouache background added

"Ref Field Daisies" watercolor / gouache by Sharon Giles

“Ref Field Daisies” watercolor / gouache by Sharon Giles

"Blue Flower Exercie" watercolor by Sharon Giles

“Blue Flower Exercie” watercolor by Sharon Giles

This last painting is a candidate for more negative painting using gouache to add warm accents.